रब्ब को कहा होता… संदीप साइलस “दीप”

रब्ब को कहा होता…
संदीप साइलस “दीप”

दर्द-ए-दिल को ए इंसां, तूने रब्ब को कहा होता
जिसका अक्स तू जमीं पे है, उसको कहा होता।

शिकस्ताह हाल फिरता है, एतबार किया होता
जिसने तुझे बनाया, उस रब्ब को पुकारा होता।

दस्त-ए-साक़ी ना लाए, वो जाम पिया होता
चाक-जिगर को अपने, ईमान से सिया होता ।

अह्ल-ए-किताब का कलाम, जो तूने सुना होता
रूह का परिंदा तेरा, रब्ब का नाम जिया होता।

चारागर का हक़ तूने, जो ख़ुदा को दिया होता
दुआ ने हर मर्ज़ में, दवा का काम किया होता।

कारवाँ-ए-हयात पे इतना फ़ख़्र ना किया होता
कभी तो रब्ब का भी, तूने एहतिराम किया होता।

इब्तिदा तो कर ली, तू इंतिहा को जिया होता
ख़ुदा की मोहब्बत का भी पैग़ाम लिया होता।

हद पे तू पहुँचता रहा, इख़्लास भी किया होता
जाने-अनजाने कभी वादा-ए-वफ़ा किया होता।

सामने गर तू होता, मैं तुझ को ही जिया होता
तू इश्क़ मेरा होता, मैं “दीप” तेरा ही होता।

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The Creative Mind by Sandeep Silas

THE CREATIVE MIND

I am the creative mind, the Creator’s gift
Do I ever know who I am going to chose

And what I am going to make him write, propound, discover, or invent
Does it unfold on its own
Is it a gift from the heavens?
Or do I dig it from the womb of the earth

Sometimes it falls like the rain
Soaking me through and through
At times it is a boat, taking me on a sail to phantom lands
Some ways are those of a tempest, ripping everything off
Yet maintaining a calm in the eye of the storm
Many times in history it was a cloudburst and all the accumulated burden fell at once upon the paper

I have been doing it in the past
I am at it in the present
I will be in the future
I don’t know whether what I think and ink shall power revolutions or bring peace, or advance scientific discovery
I don’t care whether they will hate me or love me for it
Who writes for awards?
You do it because you have to do it, like you are born with a pen in the mouth
Ha, I miss the silver spoon though

In the gospel it is written, “In the beginning was the Word, and the Word was with God, and the Word was God” !
This is the Alpha and the Omega
The creative mind is the mind blessed by God
Power does not flow from the barrel of a gun
It flows from the subtlety of the Word

I became Hobbes, when I told you about the “war of every man against every man”, and asked you to naturally seek peace
I lived in Locke, and wrote the theory of the mind, defined tabula rasa, gave you the concepts of identity and self
I was in the head of Rousseau, when I wrote “Men are born free, yet everywhere are in chains “, gave you the Social Contract, say democracy
I was with Voltaire when I defended freedom of religious and political thought, and handed to you the power of Reason
I was with Newton when I revealed the Laws of Motion
I permeated Pasteur, and advanced the medical sciences
Galileo saw through me the understanding of the World
I became Einstein and defined the theory of relativity
I made Curie discover radiation, Otto Hahn discover nuclear fission
I’ve led you like Aristotle, Faraday and Fleming of the penicillin
I’ve been with you always

Michelangelo celebrated me as he chiseled the Pietà and painted the Sistine Chapel
Mona Lisa smiles because I gave the mystique look to her eyes through Leonardo da Vinci
Van Gogh brought The Starry Night to life and the Sunflowers to bloom as he was captivated by me
Rembrandt created The Night Watch, as I conceptualized
Shakuntala and Hansa Damyanti became immortalized as I held the brush of Raja Ravi Verma
I have given my best to more like Picasso, Monet, Amrita Sher-gil and Husain
Many more have excelled because they nourished me

When I became joyous, I gave Mozart, the ‘Night Music’ symphonies

I rejoiced as a child when Schumann wrote Caranaval music, ‘Scenes from Childhood’
Chopin, made me his angel and got the Sonatas
Haydn, looked up to me and found his ‘Surprise’ and ‘God of Life’
Even when Beethoven became deaf, I blessed him with ‘Allegretto’

It was not the choice of Columbus to discover America
Nor of Vasco da Gama to discover India
Alexander did not come of his own to meet his greatness
Neither did Ashoka renounce war of his own volition
I, the creative mind, was all the time living in their minds
I was with Martin Luther King Jr. and gave him the speech of the Dream
I powered Gandhi’s resolve to make India independent of the colonial yoke

I have triumphed in the writings of the Sufi saints
I was within Bulleh Shah, when he coined “Bulleya ki jaana main kaun” (Bulleya, to me, I am not known)
I lived with Rumi, as he said, “I am like heaven, like the moon, like a candle by your glow; I am all reason, all love, all soul, by your soul”
I celebrated Kahlil Gibran
I powered Montaigne’s works’
I rejoiced in William Shakespeare, Tennyson, Yeats, Byron, Bacon, Wordsworth, Milton, Keats, Browning and Chaucer
Where all I’ve been all through the evolution of the world, the thought, the philosophy and the Word

Where all I will be is my choice and not yours
I will fill the ones who deserve me
Yet, a little bit of me will be given to each one of you
It will be your purity of emotion, passion, and soul to attain me fully
I AM…

(Copyright: Sandeep Silas)

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WHAT TO EXPECT AND ASK ? BY SANDEEP SILAS

WHAT TO EXPECT AND ASK ?

SANDEEP SILAS

Don’t make me so big that I think I own Your Earth

Don’t give me so much that I think I can command the oceans

Don’t place me so high that I forget I am human

Don’t make me so powerful that I am distanced from hungering humanity

Don’t give me all what I ask, lest I forget the struggle and the value of achievement

Let me live with the mountain and the sea in perfect harmony

Let me watch in amusement the flight of birds

Let me eyes think my body is moving with the flying clouds

Let me touch the trees and the green leaves

Let me smell the beautiful flowers, fragrance pervading my soul

Let me feel the warmth of another human hand

Let me not shy away from extending a helping hand

Let me seek shelter in times of trial in You

Let me pray for easing the suffering of others

Let me be a part of You

Make me an instrument of Your will

Your wish to become my path

Your design to become the plan of my life

Your command to be my endeavour

Your presence to be my feeling

Your proximity to be my pride

Your grace to fill my soul

Your holiness to become my divinity

All this I ask and no more

If you think this is the way

May your lips too utter this prayer

(Copyright: Sandeep Silas)

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The Light Within by Sandeep Silas

THE LIGHT WITHIN

SANDEEP SILAS

I am where the hydrangeas grow
And the rain showers the hills

The whistling thrush sings on my window
A song of love and peace
No matter the lightening, no worry the thunder
There is a time for everyone which shall come on its own

I’ve stopped searching the sky for whispers
I’ve forgotten the feeling of lying on grass
I don’t walk on dew anymore
I am content with the rain that the heavens pour

No more I look for oceans in her eyes
Nor do I wonder what Nostradamus says
The trifling nature of humans is nothing before the might of Time
It was all written in your stars when you were sent to earth
The pleasure and pain
The walks, the falls and the rise again
How people shall pinch your feathers away
When they are envious of your flights
How Brutus will stab his Caesar again
How Shylock will demand his pound of flesh
You are no more in your mother’s womb, my child
You better brave the new world order
The tempests, the stones and the mocks

They come again and again
To spite you and to harm you
They are not imaginary fears
They are the plots of the imperfect
Who have not felt the presence of God
And are afraid not of His mighty sword

Many like Alexander have come and gone
Their ambitions carried away in drops of poison, of their own making
Only the Kookaburra, and the Whistling Thrush remain
To narrate the story of yesteryears
Still they carry on with puffed chests
The airbags, those a mere pin can deflate

I’ve given up chasing butterflies, those hover on blossoms briefly
They will go on living on flowers, sipping sweet nectar
Carrying the pollen unwittingly
To other pastures and foreign lands
I have become the undying witness to the passing time

I know every Achilles has a soft heel
No one lives beyond his time
All pebbles of the river bed, disintegrate slowly
Till they become just sands of Time

I look to the light that lives within
Call it by any name, it is the same
It is the candle of the good deed
It is the fire of the funeral pyre
Choose your light with wisdom and care
You are the Light that lives within

(Written: Shimla: June 9, 2018; 6.05 am to 8.22 am)

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A Bed and a Plough by Sandeep Silas

A Bed and a Plough by Sandeep Silas in “Borough in the Mist”

 

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Rann of Kutch… ocean of salt or salt of the earth? by Sandeep Silas

The Bible in the Gospel of Mathew 5:13 reveals a meaningful phrase:

“You are the salt of the earth, but if the salt has lost its
flavor, with what will it be salted? It is then good for nothing,
but to be cast out and trodden under the feet of men.”

When I cast my eyes the first time on the Rann of Kutch I felt this come to me very powerfully. We had come to the White Rann by evening, my brother and I. We had first travelled from the Tent City by bus, then by camel cart to enter this territory that was for many years a salt wasteland without a human visitor.

Modern day travails and stressed out lives in the cities have led men to discover and reach such places to feel the grandeur of Nature and be engulfed with an awesome feeling.  There is something beautiful and wondersome in Nature; it kind of overpowers the senses and tells you that all the efforts and boasts of Man are just empty whispers of the impermanent!

The Tent City is set up every year for six months when the weather is good and the salt is walkable, the slush having dried and the whiteness the best. The tents are comfortable and more than that give a feeling of adventure, a difference, which we all look for from daily routine.

The Sun was about to set and that gave us a spring in gait to walk as far ahead as possible from where there is no interference between the Sun’s glory and its colours as it dies another day, and the bewitched eyes.

The voices of onlookers created a noise that was incomprehensible to the ears. I was reminded of a play, in which we actors were to stand on stage and act as if engaging in avid conversation, while all we were to say was “gabble, gabble, gabble…” The Party in theatrics is nothing but gabble, gabble or bla, bla…

The majesty of the Sun was unparalleled. The more it went towards its imminent demise for the day, the more it glowed! Bright orange, blood red, mango yellow, and then a blob of red disappearing slowly but surely.

Its path for the day had been traversed, its duty done, it seemd to have set in our portion of the hemisphere but in fact it was rising in another. What a beautiful lesson in duty it is, to keep on shining with glory be it this part of the world or another. It also reveals that no Sun can forever shine in one part of the earth, it has to travel to another!

The White Rann, a huge expanse of raw salt, a pure offering of the retreated Arabian Sea conveys a strange indescribable feeling of awe and surrender, lying quiet in its immensity, clothed in silence, and soaked in Nature.

William Wordsworth’s “It Is A Beauteous Evening, Calm and Free…” came to my mind:

“It is a beauteous evening, calm and free,
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in its tranquility;
The gentleness of heaven broods o’er the Sea;
Listen! the mighty Being is awake,
And doth with his eternal motion make
A sound like thunder—everlastingly.”
The Sunset gave way to twilight; the much celebrated time of the parting day when birds return to their nests, cattle hordes run back, the priests rise to retreat within their temples and offer prayers, kitchen fires light up homes and smoke billows out of chimneys.
The sunstruck visitors too retreated and a hush fell upon conversations and hearts. Some kind of a fulfilment that one experiences after a tete-e-tete with Nature.
The Tent City revealed under the lights what it had hid as ordinary during the day. Here were some puppets, there was a rickshaw, a boat, a lighthouse, and a guard tower. Huge spaces served as welcome lounge, dining halls, recreation centres, playgrounds, VIP Meeting Place, and medical assistance. In the midst of many circular fields around which the living tents were erected, there were sitting areas so designed as to give a complete view of the 36 or so tented enclosure. I was reminded of the medieval ages when armies used to march on foot, camp in tents as they advanced and conquered more territory.
Food was local Gujarati style and you could have as much as you want.
A cultural programme followed after the tent city dwellers returned from watching the Sunset. A local band played songs, people danced Garba (Gujarati traditional dance) and some went to the eye of a telescope for stargazing.
The Tent City also dishes out small adventures like para-motoring and rope gliding. The record has been safe so far.
Sleep under a tent was fast though initially the ears kept on hearing conversations in adjoining tents as there were no concrete walls but cloth curtain wall those separated one tent from the other.
Morning tea came in a flask at 6 a.m. and in 10 minutes everyone was expected to be on the bus for the sunrise. This time the bus took us to a different area. Here the State Government has built a huge steel Viewing Tower, which can accomodate more than a hundred people at one time. We decided to walk far ahead so that none stood between us the rising Sun.
The rising of the Sun was as charming as its setting. The two events in metaphor and in real life were absolutely different, but the player was the same. The soft glow, called in Hindi, ‘Laali’, gave way to more defining moments those could be captured in the eye of the camera. Kabir’s couplet came to mind:

कबीर का दोहा

“लाली मेरे लाल की, जित देखूँ तित लाल |
लाली देखन मैं गई, मैं भी हो गई लाल ||”

The softly rising Sun, changing colour from orange, to yellow to red to white, coloured the sky amazingly in its ascent.
The plain white ocean of salt  before it absorbed its colour and stride kept on changing from orange hue to a golden one!
The salt of the Earth, though trampled under our feet, had not yet lost its flavour nor its purpose!
There is still hope in humanity!

 

(Text and Photographs by Sandeep Silas)

 

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Seog.., the human story of the Jungle by Sandeep Silas

They say a jungle teaches you life.  There is order in the jungle; there is beauty in the jungle; there is danger in the jungle; there is an originality in the jungle. No animal eats the other without any reason unlike in the human world!

Seog, is a dense forest 30 minutes from Shimla just after Dhalli. A gate beckons you inside. I missed out seeing the statue of the panther and deer on the gate and only saw the birds on the board. There was an option to cycle but the guard coaxed me to trek if I really wanted to enjoy the forests. It was 7.5 km one way, so a 15 km round trek.

Off I went, camera dangling on my chest trying to hear the birds and then strain my eyes to spot them. It was 10 am and already late as the early birds had already caught the worm and went into hiding. Still, I could see a Whistling Thrush and some others.

An insect clinging to a creeper entwining a deodar tree caught my eye as strange but unique!

Two km inside I heard the Barking Deer and looked up the mountain to see a herd passing through the  forests during the day’s activity. Just then some one called and insisted I talk. The deer herd had vanished by then. So I put it on silent mode not to miss out on the sheer experience and pin drop silence of the forests, occasionally broken by bird calls.  Often I found fresh droppings of the deer, tell-tale signs of it having traversed that way, but no luck anymore. So I enjoyed the overwhelming effect created by the Deodars (Cedrus Deodara) and Moru Oak (Quercus Dilatata) trees.   They become home to monkeys, langurs, birds, insects, butterflies and give shade that the sun too cannot pierce. There was not a soul on the trek and I felt like the King of the Jungle.

Once I imagined that our Mogli boy would emerge out of the shadows and show me some of his territory. The boards said that the forests were home to: Black-lored Tit, Rufous Breasted Accentor, Grey Treepie, Rufous Treepie, Jungle Owlet, Red Billed Blue Magpie, Grey Headed Woodpecker, Alexandrine Parakeet, Plumbeous water Redstart, Chestnut tailed Milna, Rufous Sibia, Grey winged Black Bird, Orange flanked Bush Robin, Asian Koel, Black Bulbul, Variegated Laughingthrush, Black Francolin, Blue-capped Redstart, Long Tailed Thrush, Rufous-bellied Niltava, Chestnut Thrush,  Yellow Brested Green Finch, Eurasian Treecreeper, Pink browed Rose Finch, Green backed Tit, Slaty headed Parakeet, Green Pigeon, Yellow Bellied Fantail, Common Hoopoe, Black-throated Tit, Great Himalayan Barbet, Whiskered Yuhina, Scaly-breated Munia, Common Tailor Bird, Common Rose Finch, Blue-throated Barbet, Oriental White-eye, Speckled Piculet, Rusty cheeked Scimitar Babbler, Black headed Jay, Plum headed Parakeet and so on. The list is endless.It goes further into the types of Butterflies, Orchids, Shrubs and Flowering Trees.

 

However, there is a season for everything. So when there are Orchids the trees won’t flower, similarly when the weather is cold the birds and animals prefer to hide and bask in their piece of sunshine.

I walked discovering whatever I could till I came to the end of the trek, where stood a water tank and three huts.

A small temple stood at one side of the huts.

Above this settlement was a Forest Rest House, where no one is allowed during the nights.

Here grew in abundance the yellow Spanish Broom flower (Spartium Junceum). It was a beautiful sight especially when contrasted with the azure blue sky. The best discovery of this trek was this flower called with a Spanish name albeit having the fragrance of a French perfume!

There is a Water Catchment Tank built during the British times at the far end of Seog Trek. It captures mountain spring water and supplies to the city. The pipes are so sturdy that they have not yet been changed!

I saw a village lady whom I wished. She asked me whether I would like to have tea. I said a polite ‘no, thank you’. She again asked me for coffee thinking my taste could be different and supplemented that she makes good coffee. I again said a ‘no thanks’.

Then she offered me Chaaj (Skimmed Milk) to which I said a resounding yes. Neelam, (her name), happily brought fresh Chaaj. I have never had such good chaaj. It was perfect. Then she asked me for lunch.  It definitely was lunch time and there was no possibility of finding food in the jungle. I said yes but on a condition that she takes payment for the meal. She hesitated and said that she does not sell food. I did not mean to insult her hospitality but, knew they were very poor folks. She brought me some dal, kadhi and rice, and I must write that it was the best kadhi-chawal I had ever had. Perhaps, the generosity of the poor adds to the taste of food they serve from their kitchen.

In a while her daughter came. I asked her what the daughter was pursuing. Neelam said, that the daughter is a Graduate, and has done some computer courses, takes examinations but doesn’t get placed in a job.

Kalpana, the daughter, and I, spoke. She was full of enthusiasm and was willing to serve anywhere in the country. The girl demonstrated confidence. Of course, having been brought up in a forest where only 4 people (3 of family) lived, she suffered from communication skills in comparison to the city-bred.

I really felt the worthlessness of our University education, which does confer degrees but cannot lead to a job situation. Sloganeering for election purposes is acceptable but, unless education leads to a dignified lifestyle, it is actually not serving its purpose. The issue deserves deep thought at the highest level. What would Kalpana do in a  situation she does not get a job. Live off her parents, already old and sick? Live in the jungle grazing cows? Fall into a trap? Go to a city like her brother and engage for a job much below her expectations? Or at best find a job, for which she has no aptitude?

The girl was taking competitive examinations regularly, but what kind of guidance can she get in a situation like this where the forest is the only teacher and master.

There are thousands of such stories abounding in the country. There are many Kalpana’s in remote corners of India, who are fighting out with destiny and struggling to assert their existence.

Unless the country is able to provide, look after and fulfill their aspirations, can we call ourselves free?

Neelam, told me that the forest is peopled by six types of panthers, those she has seen. They once also had a leopard eyeing their cat, who sat for a long time before their hut.

I was only expecting birds and deer at the most. My return thereafter was a very careful walk. Each gust of wind that rustled some dry leaves made me look around for a leaping panther. I saw some bamboo made shelters constructed for sighting birds and deer.

Luckily, I came out unscathed by any animal attack, but scarred by Kalpana’s story!

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Village of Tosh by Sandeep Silas

Sometimes you must do something that is adventurous or at least near adventuresome! You must never let the spirit die within you. It is just one life and one must live it as best as one can. I somehow connect to Nature in a way that I hear its voice, I see its hidden beauty and I hear its song!

So with two friends I ventured out one lazy afternoon and travelled in car overnight to Manikaran, the place famous for its hot spring and Gurudwara. We took turns to drive and a not so comfortable, but still great under the circumstances make-shift bed in the SUV in the rear was my bed for the night. Lights, stars, passing trucks and street lights kept me mostly awake but still I was in bed! One must be grateful for small mercies.

At 4 am we parked in the parking at Manikaran and slept till 7 am. By 8.30 am we were at Tosh, a village nestling in pristine beauty and caged in the simplicity of a mountain village life. The welcoming views were just breathtaking.

The peaks around Tosh Valley Village were covered in snow, except where there was enough sunshine for the day. It was December and it had still not snowed, thanks to global warming! I kept on looking with the wonderment of a child at the snow peaks around the glacier: Papasura, White Sail, Angduri, Pinnacle and Devachan. Two names definitely English, rest looked like given by the locals. Thanks be to God that no name changing spree by a self-seeking politician had affected the charming Parvati Valley.  Let the names be as handed over to us by Time. After all, it is a layer of history upon another.

But, where was the Village as a whole. I looked back from the glacial peaks and saw a Himalayan village that almost called out to me to discover what lay hidden.

But, first things first. Time to feel fresh and have breakfast. The Cafe at Pinky Didi’s seemed like a nice place and the omelette with buttered bread was just the thing one desired.

Tosh villagers have opened up homes for home stay with basic facilities and there is always a room to stay. Of course, in such scenic surroundings one tries to choose a place to stay with a view and so we did.

As I ventured out in the village in the morning hours I found  facets of life those are unimaginable in city environments. First of all, there was pleasantry and simplicity in the air, which is a rarity in a city these days.

A small boy hanging out on the grill of his home’s balcony was a picture of inquisitiveness and innocence.

 The Village School looked like a neatly wrapped textbook.

Signboards often reflect the educational level of the place and its marketing skills. But, who cares for English and presentation when all you want is good wholesome food in an inhospitable terrain.

With this bounty of Nature unfolded before me, my poetic sensibilities came to fore and I started looking for the “solitary Highland Lass”, as written by William Wordsworth

The Solitary Reaper 

“Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.
No Nightingale did ever chant
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne’er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?—
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whate’er the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o’er the sickle bending;—
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more. “
Such were the great poets of the times, whose poetry finds no equal still today in beauty and sensitivity.
I found a mother and child, who agreed to let me photograph her and in the background I saw a painting on the wall of her hut, which had the mother Goddess sitting above a lotus flower and the letters; “The Heavens declare the glory of God”. Yes, that is the faith with which they live in such an area where food for the day is the primary thought and not ambition.
A small girl suddenly came out of the precincts of her home to the common tap. She opened it, but there was no water. So she gave it a tiny thump with her small fist, put her lips to the edge and drank the little sip that came. It was a scene that could make William Wordsworth cry and celebrate in immortal poesy.
I couldn’t resist the tears in my eyes. So much for development and bombastic speeches!
Ahead a trio of boys played cricket without a pitch.  It was amazing that cricket could be the fancy of boys here in Tosh too. Thanks be to the cricket craze furthered by TV and Leagues like IPL. But, this cricket was without rules or a ground. All it meant was that you hit the ball and make runs. That is all the matters in life and the boys were learning pretty early.
During my interview for the Civil Service examination, the last question lobbed at me by the Chairman of the Board was: “So, Mr. Silas, what do you understand by the phrase- “It’s not cricket”.
I had replied instantly: “It’s not fair”.
What is fair and what is not, today I cannot say, having passed through many phases in life of being cheated, betrayed, and made a fool of, by the ones you trusted the most!
Smoke bellowed from a water heating contraption fired by wood in front of a hut.
There was a closed village temple. A beautiful structure built in wood and carved in Himachali style, it appealed as a prominent building in the small village square. I read a signboard “Do not touch”.  On inquiry I was informed that it is run by “Devtas” (spirits) and they had left yesterday, to return back after two and half months!
Time to lift up the gaze back to the mountains and remember the Psalm 121:

“I lift up my eyes to the mountains—
    where does my help come from?
My help comes from the Lord,
    the Maker of heaven and earth.

He will not let your foot slip—
    he who watches over you will not slumber;
indeed, he who watches over Israel
    will neither slumber nor sleep.

The Lord watches over you—
    the Lord is your shade at your right hand;
the sun will not harm you by day,
    nor the moon by night.

The Lord will keep you from all harm—
    he will watch over your life;
the Lord will watch over your coming and going
    both now and forevermore.”

This is perhaps the faith which sustains people and life, here and everywhere!

I was face to face with faith!

It was cold and head and ears had to be well covered. Lunch was at a Cafe which served hot Dal and Cauliflower vegetable, which we ate more than we normally did. When the cold is biting you from everywhere, hot food is more than welcome!

It was time to relax and forget there was a worry in the world. People say that foreign tourists come here for the hash. World’s best hash is grown nearby in Malana.

Evening fell and what was a rocky mountain turned into gold! Such was the effect of awesome Nature!

My friend was brave enough to sit in the balcony  during the night for some time and watch the stars. He found the night sky so romantic and clear, the stars nearer.

The flora at Tosh is Himalayan Blue Poppy, Iris, Marigold, Primulas, Buttercups and Balsam. They say you can once in a while see a brown or black bear. The rest of the sky is ruled by Lamagiers, Bull Finches and Rose Finches.

Next morning it was time to go ahead like travellers usually do  and leave the visited place like a happy memory in the minds eye.

The shepherd dog will keep the watch and count the sheep! So must all tales be told and lived by others who follow in your footsteps!

Distance: New Delhi to Toas by road 560 km; Route: Delhi-Ambala-Surendranagar- Roopnagar-Kasol-Barshana- Manikaran-Tosh.

Trek: Tosh to Kheerganga

 

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Wo Duaon Ka Asar Hoga…by Sandeep Silas ‘deep’

WO DUAON KA ASAR HOGA…
Sandeep Silas ‘deep’

Wo duaon ka asar hoga, to zaroor mera hoga
Khuda ke samney mera sar, yun hi jhuka hoga

Wo dil jo mera hoga, to zaroor dhadakta hoga
Khuley aasman ki tarah, wo bhi simat-ta hoga

Wo khwaab subah ka hoga, to zaroor sachh hoga
Aftaab ki mauzoodgi mein, wo chand nikla hoga

Wo kis kadr mujhey chahega, uska noor kaisa hoga
Wo anjum-sabaah, nazuk mizaaj, paak ruh hoga

Wo shabnam ki tarah hoga, to khamosh barasta hoga
Bikhar-bikhar kar rom-rom, wo zaroor khilta hoga

Wo nagma-numah hoga, to saaz ke liye jeeta hoga
Sur aur lay ka roz, dekho, khushnumaah milan hoga

Tutey huey sitaron ka phir, koi naya jahan hoga
Wo ‘deep’ gar jala hoga, ghar-mandir ka hi hoga

Copyright: Sandeep Silas ‘deep’

(Written: Delhi; November 16 & 17, 2017)

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Khajuraho…erotic art or spiritual quest? by Sandeep Silas

The very concept of erotic art sculpted on temple walls can raise eyebrows. Not so in Khajuraho!

I left Jhansi, 176 km from Khajuraho, photographing the wildflowers enroute and the River Ken. The road could have been better considering we connect a World Heritage Site, but still had its surprises of cattle being milked by villagers, children playing in front of their homes, fresh vegetables being sold by the road, and life caught up in the effort of living.

These temples were built by the Chandela dynasty between 950 AD to 1050 AD and have survived the ravages of weather and time to still tickle the senses of visitors. Originally 85 in a 20 km area, they stand only 25 in 6 kms today. Alberuni, the traveler historian calls it as a “city of gods”. Normally, one visualizes a temple as a place of worship of a deity. Now, whether the deity is human or the mind of a human thinks a deity to be part of his personal life is a question of debate?

Mark Cartwright, traveler and author writes about the architectural highlights of Khajuraho- “Most of the temples at Khajuraho were built using sandstone but four also used granite in their construction. In the latter group is the Chaunsat Yogini (64 tantric goddesses), built c. 875-900 CE, which has 64 shrine rooms arranged around a rectangular courtyard. Next in the site’s development came the Lalguan Mahadeva, Brahma, and Matangesvara temples which are all quite plain in design and decoration compared to the later temples.

The majority of temples at Khajuraho were constructed between 950 and 1050 CE and are either Hindu (Saiva or Vaisnava) or Jain. The most famous is the Kandariya Mahadeo built in the early 11th century CE and dedicated to Shiva. The more or less contemporary Laksmana temple was built in 954 CE by King Dhanga (r. 950-999 CE) to celebrate independence from the Gurjara-Pratihara rulers and has a similar layout and exterior to the Kandariya Mahadeo. So too does the Visvanatha temple (c. 1002 CE) which was designed by Sutradhara Chhichchha. Both temples have shrines at each corner of their terrace platforms. The Laksmana was dedicated to Vishnu and its terrace is of particular note as it carries a narrative frieze running around all four sides: Elephants, warriors, hunters, and musicians form a procession watched by a ruler and his female attendants.

Other notable temples at the site include the single-towered Chaturbhuja and Vamana, the squat Matulunga, and the rectangular, more austere Parshvanatha Jain temple with its unique shrine added to the rear of the building (c. 950-970 CE). Probably the latest temple at Khajuraho is the Duladeo which was built on a star-plan.” ( https://www.ancient.eu/Khajuraho/)

The eroticism of Khajuraho overshadows the rest of the hidden meanings of art. Sex, was not a bad word in those days as we see it being celebrated openly, encouraged and glorified on temple walls. Many meanings have been ascribed to the “why” of this art. One says, the Kings needed more men as soldiers so encouraged copulation, another looks into the hidden spirituality achieved through the meditative human sexual union.

But, all these fail to explain the man to animal and the unnatural forms of sex depicted on Khajuraho walls.

Whatever it is, the fact is that Khajuraho excites a visitor at any age and allows the person freedom of thought and expression. You come home satisfied you have seen art at a physical plane; you come back pondering you have seen the hidden spirituality within art; both equally satisfying feelings.

Lady looking at her mirror image |Amorous couple

The stunning and fabulous sculptures led the temple complex to be classified as a UNESCO World Heritage Site monument. Whatever exists is maintained very well by the Archaeological Survey of India. The temples are categorized into three groups: Eastern, Western and Southern.

 

 

Lakshmi Sharath mentions some stories trying to explain the raison d’être of building these erotic temples- “The moon always evokes romance and it is little wonder then that the descendants of the celestial moon god would build monuments that stand for love. The story goes that a beautiful woman called Hemavathy was bathing in the dark under moonlight, when she was seduced by the moon himself. She ran into the forests for refuge and raised her son, Chandravarman alone. The moon however promised her that their son would one day rule over a kingdom. True to his word, Chandravarman grew up to establish the Chandela dynasty. It is believed that he was influenced by his mother’s story and so he built temples with sculptures depicting human passions and probably, the futility of the same.

In case you are not fascinated with the story behind the erotic sculptures of Khajuraho, here is another belief that says the carvings of mithunas are symbols of “good luck” along with several sculptures that showcase mythical creatures. Another interpretation says they served as a form of sex education, by rekindling passions in the ascetic minds of people, who were probably influenced by Buddhism.

It is a depiction of the Hindu philosophy of Dharma, Artha, Kama, Moksha. Perhaps you can attain nirvana, once you are done with all your wordly pleasures.”(https://lakshmisharath.com/stories-erotic-sculptures-of-khajuraho/)

There is so much to see in Khajuraho and remember wondering about the apsaras, the nymphs engaged in activities like looking at the mirror; pulling out a thorn from the foot; fondling their breasts; tickling the private parts of their partners; holding a child; undressing; dancing; painting; or just being beauteous by themselves. There are warriors; horse & camel riders; there are the drummers going ahead of an army; there are mythical animals and attendants. In between the human endeavour the Gods and Goddesses are there too, placed under arched enclosures, as if blessing the whole exercise of recreation and human evolution. Here, the natural and the unnatural merge in the human consciousness that is governed by the law of love and nothing else.

 

The law of love                                                                                                                          Mirror, mirror

I came when the sun was brightest and by the time I finished my art appreciation the sky was overcast. I started hurrying to the far end of the temples to catch the last of the bright rays falling on statues before they were eaten up by the black clouds threatening rain. The mood of the sky changed suddenly as that of a human and it burst open sending rain-showers upon the beautiful damsels who live and dance on the walls of Khajuraho temples.

Dusk fell upon the warriors, lovers and damsels who are in an immortal frieze at Khajuraho. The cover of darkness was perhaps an encouragement to them to leave their stone forms and assume a human life in the night, before the next day’s dawn!

Khajuraho is too complex to be understood by the ordinary senses. One has to delve deep into the mysteries of art & sculpture, and see with the discerning eye what all is hidden beneath the visible!

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